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Thursday, June 16, 2011

Pretty Picture?

Untitled - Oil on Wood (11x20)
“Untitled” 

A name without naming.  I don’t particularly like leaving a piece as “Untitled”, but I dislike arbitrary bullshit even more.  I’ve been working on this piece alongside the large canvas.  A redo of a redo.  If I don’t like you I will paint over you.  Remember? 

On occasion, I paint straight from the tube, holding the tube like a brush.  When it works, it is a high energy, very fast attack that rises from the surface.  When it doesn’t, there’s a lot of paint sitting unanswered.  The underlying shape was formed this way…before I painted over it…covering the scars left behind from previous failure.  I’m pretty okay with this version.  Though I am not prone to simply pretty pictures, that is what has emerged.  Just a pretty picture. 

Still, it is “Untitled” and will remain so until this pretty picture shouts out its name©2011 Cindy K. Shaw All Rights Reserved

Friday, June 10, 2011

Step by Step



I don't want to give anything away so this is just a few very close shots of my progress on the large canvas.  I've had three sessions with it thus far. I'm pleased with what is happening since the source/thought/image is something very specific. More on that later...  

Lots of detailing at very early stages, which is unusual for me. Sometimes the paintings dictate their own process.   ©2011 Cindy K. Shaw All Rights Reserved

Wednesday, June 01, 2011

The CHAngE

CHAngE

The hardest thing about changing the direction you’re headed is that virtually no one wants you to.  Even those you don’t know want to solely define you on where you’ve been.  

I have an assigned box.  
You have an assigned box.  
Exchanging boxes is…
Well…, 
frowned upon.

I stand at the top of the hill. 
It’s a midlife crisis without the fancy car.  
My retreating youth lay behind and an unknown future lies ahead.  
I seriously wonder if I can get there from here. 

‘cause I want a new box. 
  

©2011 Cindy K. Shaw All Rights Reserved

Monday, May 30, 2011

One Little Shoe


One Little Shoe
I walked behind this dangling foot as I left Santa Monica Pier.  The little girl was hanging in complete surrender.  Exhausted from her day in the sun, arms and legs flopping about within the perfect security of her father’s embrace.  ©2011 Cindy K. Shaw All Rights Reserved

Wednesday, May 25, 2011

Blank Slate


I am often asked, “What is the inspiration, the driving force behind your work?” It’s an answer I find difficult to articulate. People want specifics. They don’t want, “That’s how I felt on Thursday.” Some can be downright pesky with their questions and don't respond well to a smart ass pretentious artist answer. The problem grows in that it’s not always the same from piece to piece. Sometimes there is something very specific.  Sometimes it’s just a state of mind.  Sometimes its a physical energy.  It’s never the same and it can change between start and finish. It’s hard for me to explain, but I’m accepting that people viewing my work want and need to know more. 
So here is one version…

72x42 Canvas

A very large canvas sits on my easel.  It’s white emptiness is glaring at me and I can’t turn away.  This is how it starts.

Sometimes…  

Sunday, May 22, 2011

Thin Man

Thin Man
Oil on Canvas
6x41


I've been working on this alongside the Set of 9 from the last post.  My way of using a piece of scrap canvas, which will most certainly be a pain to properly mount and frame for sale. Regardless, this is an unusually playful piece for me and he and I've had fun getting to know one another.

I'm back to unemployment status again, which is great for my easel time.  Not so great for my paying rent and buying groceries effort.  There are some leads on the horizon. One is a stop gap, the other an absolute perfect, really really really want it kind of job.  On all accounts I have friends stepping up and doing all they can on my behalf.  So despite my quickly emptying bank account, I am heart full of gratitude.

I'm changing things around a bit on the blog and contemplating some changes in the posts.  As in adding some other elements....maybe.  We'll see.  The art will keep coming, but I want to keep the blog more active when I am working on pieces so there's not as much down time.  Stay tuned.
©2011 Cindy K. Shaw All Rights Reserved

Friday, May 13, 2011

Set of 9

This group of paintings is one is nine is ten.  They were painting as a single painting…One. 
Set of 9
 Each of the individual 6x6 quads also had to be worked as a single painting…Nine. 


Sunday, January 02, 2011

Happy 2011 - "Third Eye"

Ringing in the New Year with my paint brush in hand.  I've been working on something for the last month that has turned out to be a bit of an ordeal.  I had started a piece months ago and set it aside as I worked on other things.  When I returned to it, disaster befell the effort.  I've spent the last few weeks trying to rescue my mess.  I'm happy with my progress and hope to post it by the end of this month.  As the paint became too wet to continue working, I turned to the pastels late in the day yesterday.  Here's the first pastel piece of 2011.   
"Third Eye" Pastel on Paper (12x16)
I'm feeling a shift in what's happening with the pastels and am trying some new things. I do consider this the beginning of a transition for me, and I'm deciding if I actually like it or not.

Monday, November 15, 2010

Little Works

"Single Whip" Block Print (4x5)
Sold this original block print Saturday night.  "Single Whip" is a Tai Chi Chuan posture an is a recurring subject for me over the years. I think this posture was the first moment that I truly connected to the movement in Tai Chi when I first started practicing. The buyer was very excited about the piece and had a whole list of reasons she connected to the work. I enjoyed listening to her talk about it.

Sunday, November 07, 2010

Fall Back

This is a small piece I completed last night. I've been overdue for some pastel work and finally moved some paintings around so I could have access to the easel I use when doing pastels.  My pastel work actually improved when I switched from a drawing table to standing at an easel.  Evidently, I need the freedom of movement that comes when standing...even when the piece is small.